Friday, January 27, 2012

War of the Worlds--Revisited, Expanded, and Completed

Reginald, Robert. Invasion! Earth vs. the Aliens: War of Two Worlds, Book One. Borgo Press, January 2011, 248 pp. $14.99, trade paperback. ISBN-10: 1434412253, ISBN-13: 978-1434412256.
_____. Operation Crimson Storm: War of Two Worlds, Book Two. Borgo Press, February 2011, 220 pp. $14.99, trade paperback. ISBN-10: 1434412253, ISBN-13: 978-1434412256
_____. The Martians Strike Back!: War of Two Worlds, Book Three. Borgo Press, February 2011. 206 pp. $14.99, trade paperback. ISBN-10: 1434412458, ISBN-13: 978-1434412454

About: Invasion!

H.G. Wells’ War of the Worlds (1898) remains one of the most frequently reproduced narratives in modern literature. As print book, comic book, ebook, radio play, teleplay, and screenplay the story has been told and re-told throughout the past century—with results ranging from the superb to the near-idiotic. Robert Reginald’s War of Two Worlds rests securely on the ‘superb’ side of the spectrum as an adaptation/updating of Wells’ visionary masterpiece, bringing the well-worn tale of horror and hope into the twenty-first century. Incorporating not only Wells’ general outline of interplanetary war but even snippets of Well’s incomparable prose, Reginald nonetheless manages to make the oft-told story come alive, transferring locales to contemporary California; retaining many of Wells’ typically universal characters while simultaneously giving them depth and interest as individuals; expanding on such themes as community, communication, and the essence of humanity; and blending Wells’ seriousness of purpose with his own trademark humor and forthrightness. The result is a narrative that stays true to the power and imagination of Wells’ original and serves as the bedrock for further explorations of the urge to warfare and the unknown limits of space itself.   
* * * * *

About: Operation Crimson Storm
“Where are the Martians?”
Who are the Martians?”
“Where do we go from here?”

These are the questions that haunt Alexander Smith as Earth forces initiate the second phase in the War of Two Worlds…the invasion of Mars itself. Commencing several years after the action narrated in ­­­War of Two Worlds, this second volume in Robert Reginald's Invasion! trilogy moves readers from the familiar locales of Southern California to the arid, frigid, unknown and ultimately unknowable reaches of the Red Planet. With his interactions with the Martians—particularly one Smith refers to as “Big Guy”—increasingly frequent, complex, and perplexing, Smith finds himself part-prisoner, part-guest, and part-guinea pig in his incessant attempts to understand and communicate. Technical difficulties inherent in mounting military actions, transporting personnel across vast distances of interplanetary space, and dealing with the perpetual permutations of the Martian threat intertwine with the intensely personal and private concerns of Smith as observer, commentator, and participant, resulting in a story that intrigues on multiple levels.

Expanding far beyond Wells’s original conception in The War of the Worlds, reminiscent of Stanley Weinbaum’s 1934 masterpiece “A Martian Odyssey” without being overtly derivative, Operation Crimson Storm again and again confronts readers with the realities of life on Mars in the form of landscapes, artifacts, and consequences of actions against the natives, without ever truly discovering clues as to their meaning. The failure to understand anything the Martians are and do frustrates both Smith as narrator and the reader, impelling the story on by holding out the hope of someday unraveling mysteries, interpreting communications, and penetrating the perpetual enigmas of life…both earthly and alien.

Throughout the volume Reginald continues his trademark voice—clear, direct, and humorous Names of characters double as homages to novelists, short story writers, poets, even publishers of science fiction over the past decades, adding to the immediacy and the texture of the book while enhancing its depth by the aptness of many of the allusions. Alexander Smith himself demonstrates the universal vision of an Alexander and the anonymous individuality of a Smith. Similarly, moments of technological intricacy balance deftly constructed conversations among individuals. Rigid rationality balances authentic emotion. And throughout ring echoes of Smith’s unending questions:

 “Where are the Martians?”
Who are the Martians?”
“Where do we go from here?”

* * * * *
About: The Martians Strike Back!

The challenges:
To extend and complete one of the most respected and well-known narratives in science-fiction literature, H. G. Wells’ The War of the Worlds;
To explore commonalities that might possibly exist between humanity and the truly alien;
To define the essence of being truly human and being uniquely ‘other’;
To communicate that which cannot be communicated;
In a phrase, to express the ineffable.

Throughout the first two volumes of Invasion!: Earth vs. the Aliens, Robert Reginald adroitly captures the movement, the power, and timelessness of Wells’ original narrative, updated it, and finally brought the War back to the Martians. In volume three, The Martians Strike Back, he brings the conflict between peoples, between species, between planets to a resounding conclusion that is at once acceptably concrete and believably fragile. Peace between two worlds cannot come easily, especially since the conflicts between them have persisted for literally millions of years; and new-comer humanity may not be quite prepared for the perceptual shifts, the revisions of history, the expansions of understanding that will be required to accomplish it. Alexander Smith, indefatigably seeker after truth and meticulous observer of events, suddenly finds himself and his family—and his Martian counterpart, Big Guy—at the center of attempts to mollify factions on Earth and on Mars that seem intent on war, threatening mutual destruction. And when the specter of a third and far more threatening race is added into the mix, Smith must make decisions and accept the consequences of actions that threaten his family, his sanity, his very life.

Part techno-thriller, part traditional science fiction, part commentary on humanity and human society, part quintessential human comedy, Invasion! promises much and delivers even more. It leads readers carefully through mazes of possibilities, constantly overturning expectations and revealing yet more unanticipated potentialities, until a successful outcome seems almost unattainable…and then with stunning imagination, there is hope, clarity, and ultimately,  resolution both surprising and inevitable. Alexander Smith, bowing to necessity, discovers the way. And as the Martians would say, “May you know your way, and may it be One.


Thursday, January 19, 2012

Monsters & Mormons & Mayhem, Oh My!

 Monsters & Mormons. Edited by Wm Morris and Theric Jepson. El Cerrito CA: Peculiar Pages, 2011. 510 pp. $29.99, trade paperback. $4.99, Kindle edition.  

Perhaps the most intriguing thing that comes to mind upon reading Monsters & Mormons is the extraordinary range of ideas, themes, images, and tales that fit underneath the general umbrella of “Mormon.” Whether the stories hinge on those unavoidable twin theological imperatives of Utah Mormondom—green jello and fry sauce—or sweep through the distant reaches of time and space to explore the inner workings of alien minds, all offer something that is uniquely ‘Mormon’ without overlaying their narratives with preachments.

Among the offerings are Eric James Stone’s justly honored Nebula-winner, “That Leviathan, Whom Thou Hast Made.” It is overtly “Mormon”; the central character is an LDS bishop whose congregation includes a handful of swales, inhabitants of the sun. On the surface a story of one individual struggling with new thoughts, new beliefs, and new situations, it is ultimately about the age-old conflict of faith colliding with circumstance. In its own way, it is as applicable to social and political questions confronting 21st-century Mormondom as it is to eternal issues of right and wrong…and the complications that emerge as definitions of each become strained.

At an opposite extreme (an rather than the because in the multi-dimensional worlds of the tales included in this collection, opposite can come from just about any direction), Jaleta Clegg’s “Charity Faileth Never” is a delightful homage to The Blob and all amoeboid aliens, placed in the familiar setting of a Relief Society dinner at the local chapel. Its characters and their interactions are accurate (given, of course, the single exception of the sentient jello), their dialogue exaggerated just enough to punctuate the humor, and the resolution perfect.

The thirty stories present pasts, presents, and futures peopled not only by (and not exclusively by (Mormons), sun-dwellers, and motile jello, but also ghosts and other revenants, vampires, werewolves, zombies and cyborgs (and their fascinating combination, zomborgs), trolls, spirits, demons, Lovecraftian horrors, a golem, and alien abductions—a nearly complete encyclopedia, as it were, of things monstrous and horrific. The stories range from deadly serious, as in Erik Peterson’s “Bicho,” to overt parodies of serious elements of LDS history and theology, as in Adam Greenwood’s “I Had Killed a Zombie.” Some reproduce to devastatingly comedic effect speech patterns and cultural norms of contemporary Utah (Lee Allred’s deftly handled “Pirate Gold for Brother Brigham” is a solid example) while others treat the basic trope of Mormonism almost elliptically, as in Katherine Woodbury’s “First Estate.”

The stories are interlaced with several first-rate poems and stark black-and-white illustrations that do much to communicate the essence the various tales.

In all, Monsters & Mormons generally lives up to its title. Most of the tales could stand on their own in any anthology of horror or science fiction, regardless of their Mormon content; many are first-rate, truly exceptional examples of contemporary storytelling. A few venture perhaps a bit too close to the boundary between imagination and reality as they configure worlds in which priesthood powers and demons intersect—I had a couple moments of feeling distinctly uncomfortable—but most of the 500+ pages proved entertaining, intriguing, occasionally enlightening, always thought-provoking. In many ways, this is as definitive a collection of speculative LDS fiction as Fire in the Pasture: Twenty-first Century Mormon Poets (not coincidentally produced by the same publisher) has provend to be.

Strongly recommended.


Wednesday, January 4, 2012

The Gummi Bear Omnibus--Now Available!

Some years ago, my younger son came home from school and showed us a series of short poems he had written, inspired by the Gummi Bears students had stuck to the ceiling of his classroom. With a little encouragement, he expanded that original opus to a twenty-four book mock-epic, Gummi Space Armada. Shortly thereafter, my younger daughter—inspired by the actions of Ethan’s Gummi heroes—transposed the original into a number of haiku…or rather, GummiKu: Tales of the Gummi Bear Space Armada.
The GSA circulated for a while in a number of handmade formats, culminating with the entire series a small paperback issue, with the following information on the jacket flap:

The Adventure Begins…Titillating romance, spellbinding mystery, and intense drama can all be found within these pages.
Actually, the mystery is minimal, you’ll miss the drama if you sneeze at the wrong moment, and as for the romance, well…I LIED!
What you will find is a series of poetry about homicidal confections bent on universal domination. So snuggle up in front of the fireplace (or the gas-burners on your stove) and enjoy!
For several years, the two sets of poems languished, mostly unread, mostly unheralded.
Then Amazon.com/Kindle happened, and suddenly it was possible to share these remarkable poems with the world at large.
After nearly a week of back-breaking labor, consisting of me typing my poor already-stubby fingers to the bone, the result has been published: The Gummi Bear Omnibus, including Gummi Space Armada, Tales of the Gummi Bear Space Armada, and two commentaries by world authorities on all-things-Gummi: Herr Professor Doktor Herr Professor Doktor Bjørn Cummis, President of Das Berlinische Institut fűr Untersuchungen der antiken Gummibärchen; and Bergetah Kuma, distinguished author of The -Ku: The Evolution of a Literary Genre, who devoted an entire 69-pasge chapter to an intense discussion of the fourteen GummiKu (an excerpt is reprinted in the Omnibus).
Anyone interested in a giggle or a chortle is cordially invited to enter the world of the Gummi Bears:
Prepare yourself for the invasions of the GUMMI SPACE ARMADA. This hilarious collection of mock-heroic poetry and pseudo-scholarship follows the 50,000+ years of the Four galactic Gummi Bear Empires, including their multiple defeats by the insidious Intergalactic Licorice Whips. First told as an Epic in XXIV (very short) books of verse by Ethan H. Collings, then transposed into XIV GummiKu by K.E.C. Santa Cruz, the poems exploit the conventions of epic in ways never before imagined. And they are followed by super-scholarly analyses of both sets of poems, complete with highly illuminating footnotes. All told, the GUMMI BEAR OMNIBUS is a rollicking send-up of serious poetry and of serious (if not overly serious) attempts by literary types to explain poetry.